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Schubert - Piano Works
Seven years have passed since Paul Lewis's last solo Schubert recording, and this latest collection coincides with his continuing series of Schubert recitals. It groups together the three sonatas of 1825 and 1826 – the earliest of them, in C major D840 just a two-movement torso, the others, in D major D850 and G major D894, perhaps the greatest of all the Schubert sonatas before the final trilogy. As Lewis's legions of admirers would expect, they are all superbly well played, with the same clarity and careful attention to every detail that is also lavished on the Four Impromptus of D899 and the three very late piano pieces D946. Unlike some of Lewis's more recent Beethoven performances, there's nothing over emphatic here; he nudges the first movement of the G major Sonata into motion with great tact, neither making it seem rushed nor lapsing into Richter-style immobility, just as he plays down the assertiveness of the first movement of the C major, never allowing his tone to acquire a steely edge. It's a fine, thoughtful set. Andrew Clements - The Guardian Mr. Lewis, the superb English pianist who has spent much of the last decade performing and recording Beethoven, is now focusing on Schubert. In this set he offers richly nuanced, soulful renditions of the Sonatas in C (D. 840), D (D. 850) and G (D. 894), the Impromptus (D. 899) and the Klavierstücke (D. 946), all fine examples of his compelling artistry. Vivien Schweitzer - New York Times
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Schubert - Schwanengesang
Mark Padmore's astute handling of the text combined with the emotionally penetrating accompaniment by Paul Lewis, make for an interpretation that wipes the slate clean and resets the bar a few notches higher... Music making of the highest order by two accomplished individuals who, when working together, create a force to be reckoned with. JEAN-YVES DUPERRON - CLASSICAL MUSIC SENTINEL
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Beethoven
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Beethoven - Diabelli Variations
Beethoven s 33 Variations on a waltz by Anton Diabelli was completed in 1823. Alfred Brendel has described it as, the greatest of all piano works and in his textbook Structural Functions of Harmony, Arnold Schoenberg writes that, in respect of its harmony, it deserves to be called the most adventurous work by Beethoven. The piece was composed after Diabelli, a well-known music publisher and composer, sent his waltz to all the important composers of the Austrian Empire, asking each of them to write a variation on it. His plan was to publish all the variations in an anthology to benefit orphans and widows of the Napoleonic Wars. Upon hearing Beethoven s submission, Diabelli proclaimed that it was, a great and important masterpiece, worthy to be ranked with the imperishable creations of the old Classics and to occupy a place beside Sebastian Bach s famous masterpieces of the same type. On this eagerly anticipated release, Paul Lewis, protégé of Alfred Brendel, brings his sharp intellect and remarkable technique to bear on this towering masterwork of the period
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Schubert - Piano Duets
Steven Osborne and Paul Lewis - Piano Duet "From the opening thunderclap of the 'Lebensstürme' it is clear that
great things are in store. As furiously impassioned a movement as
Schubert ever wrote, the piece poses some of the thorniest ensemble
challenges to be found among the duet works … Lewis and Osborne meet
these demands with one heart and one mind and doing so, moreover, with
an audacity that doesn't sacrifice a single degree of the work's molten
intensity … No one with a taste for superlative, passionately committed
music-making, ensemble of the highest calibre or some of Schubert's most
beautiful musc can afford to miss this one" International Record
Review
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Schubert - Die Schöne Müllerin
Tenor: Mark Padmore "Following their exceptional Winterreise and now this equally fine Die schöne Müllerin, tenor Mark Padmore and pianist Paul Lewis may be on their way to cornering the Schubert Lieder franchise for the foreseeable future. Besides being the most lyrically beautiful modern rendition of this oft-recorded cycle, the recording is a model of clear, natural presentation of voice and piano in a very complementary acoustic. You probably have another version or two of this essential work; but you still absolutely need this one." David Vernier, Classics Today
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Beethoven - Complete Piano Concertos
Paul Lewis, Jiri Belohlavek BBC Symphony Orchestra Mr. Lewis has been reaching his full potential in recent years. At 38 he is a major pianist, and his new recordings of the five Beethoven piano concertos, with Jiri Belohlavek conducting the BBC Symphony Orchestra are exceptionally fine. These are freshly considered, elegant and engrossing performances. He brings a wonderful balance of integrity and imagination to his Beethoven playing. He does not dazzle you with virtuosity. His nimble and articulate finger work is always at the service of his musical ideas: to me the definition of good technique. While utterly respectful of the scores, he plays with such spontaneity that these familiar staples seem newly astonishing. Though the catalog of Beethoven concerto recordings is crowded, this new set is an exciting addition. Anthony Tommasini, New York Times October 2010 So much light and shade, so much care and finesse, so much implication and suggestion; you end up with an uncannily clear picture of Beethoven the 18th-century composer on the brink of major stylistic upheaval. It's a long way from the stereotypical image of Beethoven as a tub-thumping eccentric."
Andrew Mellor, Disc of the Month, Classic FM Magazine, October 2010 Throughout the cycle Lewis is enviably and naturally true to his own distinctive lights, his unassuming but shining musicianship always paramount.... And so, all in all, these records take their place among the finest Beethoven piano concerto performances so that even when you recall beloved issues by Wilhelm Kempff, Emil Gilels, Radu Lupu and Murray Perahia, Lewis ensures that you return refreshed and with a renewed sense of Beethoven’s range and beauty. This is a cycle to live with and revisit. Bryce Morrison, Recording of the Month, Gramophone September 2010
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Schubert
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Winterreise
Tenor: Mark Padmore
“The piano is superbly recorded. Lewis’ playing is amazing without ever drawing attention to itself, full of sudden gleams of insight…”
Piers Burton-Page, International Record Review, November 2009
Harmonia Mundi HMU907484 GRAMOPHONE AWARDS 2010 - BEST SOLO VOCAL RECORDING
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Beethoven
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Complete Beethoven Sonatas
10-CD Set "There are many prized recordings of the Beethoven sonatas from
past masters and current artists. But if I had to recommend a single
complete set, I would suggest Mr. Lewis’s distinguished recordings."
Anthony Tommasini, New York Times "One of the most highly prized recording marathons of recent years.... An unmissable benchmark." Gramophone
“This is playing of breathtaking beauty and skill, reminiscent in some ways of Brendel and Kempff yet always unique. It is pianism worthy of the accolades it has received, making this an obvious recommendation as a Beethoven piano set to own.” Mike Birman, Audition Audiophile Harmonia Mundi HMX 2901902.11
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Beethoven
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Piano Sonatas #1
No.16 in G major Op.31 no.1,
No.17 in D minor Op.31 no.2 ‘The Tempest’
No.18 in E flat major op.31 no.3 Harmonia Mundi HMC 901902
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Beethoven
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Piano Sonatas #2
No.8 in C minor Op.13 ‘Pathétique’
No.9 in E major Op.14 No.1
No.10 in G major Op.14 No.2
No.11 in B flat major Op.22
No.21 in C major Op.53 ‘Waldstein’
No.24 in F sharp MajorOp.78
No.25 in G Major Op.79 ‘Alla tedesca’
No.27 in E minor Op.90,
No.28 in A Major Op.101
No.29 in B flat Op.106 ‘Hammerklavier’ Harmonia Mundi HMC 901903.05 (3 cds) 
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Beethoven
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Piano Sonatas #3
No.1 in F minor Op.2 No.
No.2 in A major Op.2 No.2
No.3 in C major Op.2 No.3
No.4 in E flat Major Op.7
No.22 in F major Op.54
No.23 in F minor Op.57 ‘Appassionata’
No.12 in A flat major Op.26 ‘Marcia Funebre’
No.13 in E flat major Op.27 No.1‘Quasi una Fantasia’
No.14 in C sharp minor Op.27 No.2 ‘Moonlight’ Harmonia Mundi HMC901906.08 (3 cds)
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Beethoven
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Piano Sonatas #4
No.5 in C minor Op.10 No.1
No 6 in F major Op.10 No.2
No.7 in D major Op.10 No.3
No.15 in D major Op.28 ‘Pastorale’
No.19 in G minor Op.49 No.1
No.20 in G major Op.49 No.2
No.26 in E flat major Op.81a ‘Les Adieux’
No.30 in E major Op.109
No.31 in A flat major Op.110
No.32 in C minor Op.111 Harmonia Mundi HMC 901909.11 (3 cds) 
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Liszt
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Piano works
Piano Sonata in B minor Nuages Gris,
Venezia, Unstern, Four Little
Pieces, En rêve, Schlaflos, La lugubre gondola
Harmonia Mundi HMC 901845 EDISON AWARDS 2005 - BEST INSTRUMENTAL RECORDING
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Mozart
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Piano Quartets
G minor K478 and E flat K493 with the
Leopold String Trio
Hyperion Records CDA67373
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Schubert
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The Trout Quintet D667
with the Leopold String Trio & Graham
Mitchell
“A good share of the success lies with Paul
Lewis. The protégé of pianist Alfred
Brendel takes marked delight in tickling the
keys, darting all over the place with
a freshness and joy that find their parallel
in the composer's seemingly unstoppable
stream of brilliant melodic invention.”
Jason Victor Serinus, Bay Area Reporter, May
2006
Hyperion Records CDA67527
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Schubert
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Piano Sonatas
No.14 in A minor D.784
No.19 in C minor D.958
“From the first movement of the C minor
Sonata you are aware of Lewis's technical
polish, his dramatic sense of timing and his
dynamic involvement with the music.
He takes you on a journey, as all the best
Schubert players do.”
Tim Parry, International Record Review, 2002
Harmonia Mundi HMA1951755 DIAPASON D'OR DE L'ANNEE 2002
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Schubert
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Piano Sonatas
No.20 in A major D.959
No.21 in B flat major D.960
Harmonia Mundi HMC901800 EDISON AWARDS 2004 - BEST INSTRUMENTAL RECORDING
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Schubert
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Les Pianos de la Nuit: Roque d’Antheron
6 Moments Musicaux D780
Sonata in G major “Fantasy” D894 - Live
recordings
Naïve DR2102 AV 103
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